Also, there’s a chimp with a straightrazor. For Argento it’s mere window dressing, one of half a dozen different stories that don’t really relate but somehow combine to form this gestalt of awesome weirdness. For another director the story of a girl with awakening psychic powers in the pubescent pressure-cooker of an all-girls school would be a movie all by itself. While it doesn’t always rank high on most lists – Kim Newman called the film an “almost total failure.” I don’t care, I still love it – jarring heavy metal sequences and all. It’s a story about a girl, played by Jennifer Connelly (pre- Labyrinth), with the psychic ability to control insects and how she teams up with a wheelchair-bound entomologist ( Donald Pleasance, with an… interesting Scottish accent) to catch a killer. Argento’s first film made the giallo a phenomenon and this, his last classic giallo, set the bar so high that it’s arguably never been equaled.Ĭreepers – the shorter US edit of Phenomena – was my very first Argento film, and in my then steady viewing diet of slashers and gore flicks it was something of a revelation. This draws the attention of the murderer, leaving Marcus and the reporter racing to discover the killer’s identity before they’re murdered as well. A local reporter (played by Argento’s partner/collaborator Daria Nicolodi) publishes a photo of him in the paper, naming him as a witness. A musician, Marcus ( David Hemmings), witnesses the brutal murder of a psychic. Perhaps the greatest giallo ever made, and strong contender for greatest Argento film as well, Deep Red sits between the more straightforward (hah!) murder plots of his earlier movies and the more supernatural themed projects that were to follow. Though it doesn’t have some of the excesses of plot, imagery and music of later Argento films, Bird is still a stylish and fantastic film, and a brilliant debut from a man who would go on to redefine both the giallo and the Italian horror film. That scene, with Musante trapped between glass walls as the victim struggles across an all-white room, is startling and effective even now – in 1970 it must have been electric. This convoluted thriller is about a man, played by Tony Musante, who is drawn into a murder investigation after he witnesses an assault at an art gallery. Repeated viewing won’t clarify the plot for you, but will increase the sense that you’re watching a psychedelic nightmare where buildings rot, cats plot and even the food truck guy is out to get you.Īrgento’s first film reinvigorated the giallo – a genre of stylish crime films previously exemplified by movies like Mario Bava’s Blood and Black Lace. It’s a beautiful, incoherent mess of a film, with all the hallmarks of early Argento – stylish kills, phenomenal set pieces, and a crazy soundtrack (here by prog-rock legend Keith Emerson, rather than than Argento stalwarts Goblin.) The film is nominally about a woman, Rose ( Irene Miracle), who discovers her New York apartment building may also be the residence of one of the Three Mothers – a cabal of witches who secretly rule the world. The second film in Argento’s ‘Three Mothers’ trilogy (between Suspiria in 1977 and Mother of Tears in 2007), Inferno is a film that’s grown on me over time. Once I’m comfortable with someone, I’m not reserved.”īefore you go, click here to see all the celebrity couples who met on set.The master of Italian horror, Dario Argento, turned 80 this week! While I love most of Argento’s early films I thought I’d talk about a few of my absolute favorites. I mean, I manage it pretty well, but he’s much more outgoing than I am. I think by coupling with Paul, that kind of works. In a rare interview with Town & Country, Connelly talked about how she and Bettany are so different in one aspect that makes their relationship work, saying, “I’m not the most gregarious person in the room, for sure. They share two children together named Stellan, 19, and Agnes, 11, along with Connelly’s son named Kai Dugan, 25, whom she shared with her ex David Dugan. After talking and catching up at the 2002 BAFTA Awards, they started going out, and eventually married in 2003. The pair originally met on the set of A Beautiful Mind. A post shared by Jennifer Connelly the photo, we see the Avengers: Age of Ultron star holding onto the designer bag, goofily doing his supermodel impression (and let’s face it, absolutely nailing it!) We love to see that after 20 years of marriage, Connelly and Bettany keep things light and funny throughout their day-to-day.
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